Showing posts with label book promotions. Show all posts
Showing posts with label book promotions. Show all posts

Saturday, 4 January 2020

99c Sale: Murder on the Orient (SS) + The Real Steamship Behind the Mystery

Image: bogstown.com

From Murder on the Orient (SS): Author's Note
"When I started conjuring up the second adventure for the Agatha Christie Book Club, I wanted to take them on an exotic journey à la the infamous Orient Express—one of my favourite Hercule Poirot settings—and began looking around for ideas.
Boy, did I get lucky.
In the late 1800s/early 1900s, there really was a classic steamship called the SS Orient that sailed between London and Sydney, via the Cape and the Suez. According to my research, it was a sparkling ship, brimming with luxurious fittings and eclectic characters, and host to several rather suspicious deaths.
What a brilliant backdrop for my book club friends!
While I have tweaked some minor details for the sake of this contemporary plot (including the original itinerary), much of the information about the ship is authentic and my sources are listed in the bibliography at the back— with thanks.
This is fiction, however, folks. So I’m sad to say the   SS Orient has not been recommissioned nor is there a real-life replica floating about as I have imagined here, but an author can dream can’t she?
And a book club can jump aboard for the ride… 
Bon voyage!"

FOR MORE ON THE ORIGINAL SS ORIENT:
• The SS Orient Story by Roy Clifford and Dave Knight

GRAB YOUR COPY FOR JUST 99c - Sale ends Jan 10
@ kobo

Happy (cruisy) reading everyone.
xo Christina

Tuesday, 3 October 2017

Why I Started My Ghostwriter Series (& How You Can Win One + 44 More!)

I love Sue Grafton and her Alphabet crime series, really I do, but by D is for Deadbeat, I began to realise they were becoming dead boring!

Product Details
If I read about private detective Kinsey Millhone pulling on her 'turtleneck sweater' or 'wrinkle-resistant black dress' one more time, or stopping to grab a McDonald's cheeseburger, or hanging out with her elderly landlord, I was going to hit somebody with the book.

I know that they're murder mysteries and I know that this may all sound a little vacuous to you, but I kept wondering why Kinsey was so, well, stuck.

Are there no shopping malls in Kinsey's suburb? Does she not tire of the same old meal?* And does she not want to move out of Henry's converted garage and buy a new place of her own?

Just because you create a wonderful character—and Kinsey really is the cream of the crop—does not mean your character shouldn't change and develop and grow. 
She's human. That's what we do!

Let me repeat: I love Sue Grafton. I can only dream of her worldwide success. I acknowledge that she's a master storyteller and I am just a piddling wannabe, but as a lifetime reader I just longed to see Kinsey blossom or deteriorate or get a limp or something! It may seem trivial to you but it just didn't ring true. By the time I got to S is For Silence I could hold my tongue no longer.

Nobody wears the same outfit. Every. Single. Day. Zzzzzz. Nobody eats the same takeaway, or lives in the same tiny rental. At least, nobody I want to spend that much quality time with.

I desperately wanted to see my favourite PI become a little more interesting and a lot more independent.

Are smart detectives really that dull, I wondered?


I don't think so. That's why I created a crime-solving sleuth of my own. 

Roxy Parker is a smart-talking, Sydney-based ghostwriter with a love of fashion and an interest in decent food, who just happens to stumble upon mysteries of her own. 

Now, I was always going to write crime fiction, I can't credit Grafton with that. But I did use my disappointment with Kinsey to develop my own protagonist. I wanted my sleuth to be a little cool, a little classy but, most of all, to be constantly surprising. And to be interesting in EVERY facet of her life, not just inside her brain. It's not just that she changes her outfit occasionally (who knew?), she's constantly growing, developing her sense of self, making new friends, even changing homes in one book—and keeping my readers on the edge of their toes. Or at least, that's the idea.

Six books later, and I hope my Roxy has evolved as I intended her to, but you can be the judge of that. I'm giving away the first in the Ghostwriter Mystery Series, and, for the next week or so, offering readers the chance to discover a whole new series of their own.

Thanks to Amy at Authors Cross Promotion, I've teamed up with 44 other series writers to make our books available to you. Here's your chance to celebrate series creators and maybe find the perfect match for you.

Win up to 45+ Series eBooks!

(2) Grand Prize "Gift Baskets" of ALL eBooks!
(45+) Winners of Individual eBooks (randomly selected titles)



Just get in quick! The competition ends in under a week.


Happy (series) reading everyone!

xo Christina

*I know Kinsey does experiment with Rosie's mad Hungarian cooking and I thank goodness for that. It's one of the reasons I keep coming back.


Tuesday, 1 September 2015

What authors did before Facebook (yes, Agatha, I'm looking at you)


There's one mystery that has always intrigued and infuriated mystery buffs in equal measure, and that is the real-life disappearance of the Queen of Mysteries herself, Agatha Christie, back in 1926. Until recently, however, I gave it very little thought, and certainly gave no credence to the cynical suggestion that it was all just a public relations exercise.
As if Dame Christie would be so crass!

Today, however, I'm beginning to wonder. As a mystery writer myself—and, yes, the comparison is a little cheeky, but humour me if you will—I am constantly looking for fresh and dynamic ways to market my books. I tweet and I blog and I sign up for mega Facebook events, but of course Ms Christie had no such tools at her disposal. She had some broadsheet newspapers and the odd book tour, although I'm yet to find any evidence she ever did one.

So did Ms Christie utilise her wicked intellect and ability to weave an engrossing mystery around herself instead?

If the astonishing true story is unfamiliar to you, allow me to quickly recap: On December 3, 1926, following an alleged marital tiff between Agatha and her philandering hubby Archie, the former disappeared, leaving an obscure letter and an abandoned car at an old quarry. We know now that Agatha quietly checked into a spa hotel in Harrogate under an assumed name (the same surname as Archie's mistress, just to thicken the plot) and remained there, unrecognised, for another ten days while half of England were out searching for her and the other half held their breath.
Lakes were drained, lofty rewards were offered, and an extraordinary 15,000 volunteers turned out to scour the countryside searching for clues a la Miss Marple. Even celebrity authors Arthur Conan Doyle and Dorothy L Sayers got into the spirit. Then, on December 14, Aggie was finally discovered, still ensconced at the Swan Hydropathic Hotel, seemingly oblivious to the hysteria going on outside. She was promptly whisked away by her bemused looking husband who was no doubt wondering how long he could viably wait before losing her for good next time.*


Forget whodunit, to this day it has always been a classic whydunit? Why, oh why, did Agatha disappear?
The motives behind her vanishing are as complex as a Poirot novel. Was she suffering a case of amnesia as was conveniently suggested at the time (a pathetic plot device if ever there was one)? Was she in a stress-induced psychogenic trance, the latest new-fad theory? Was it revenge against Archie who was supposedly philandering with his mistress the weekend she vanished? Was it deep, dark depression or, as salaciously portrayed in a 1979 movie starring Vanessa Redgrave, a foiled suicide plot?
Or was it, as the cynics suggested and I am beginning to wonder, the greatest public relations stunt in literary history?

But... but... why?

We always think of Agatha Christie as breathtakingly successful—to date she's sold around 2 billion books, apparently, making her the highest-selling novelist in the history of the universe—but none of her 80-plus detective novels and countless celebrity-studded plays and films ever gained as much press as that one single act.
It may be largely forgotten today but back then Agatha's disappearance was a non-stop talking point. It was splashed across newspapers throughout the United Kingdom and even made the front page of The New York Times. Salman Rushdie had to attract a fatwa to get that kind of exposure, and Jeffrey Archer had to do some serious jail time.
I recall from my own research that Agatha was struggling with her latest (and least favorite) book, The Mystery of the Blue Train, at the time of her disappearance, uncharacteristic for someone who usually wrote at a Patterson-style pace. Perhaps she decided, as I am prone to do, to stop writing for a bit and start pouring her energy into promotion, a kind of writer's block remedy if you will. And what better way to promote your work than to pull a marketing stunt like that?!
While there was plenty of backlash after Ms Christie was discovered alive and in shockingly good health (a ghastlier ending was the least she could have provided), I can't help thinking of the old adage, about any publicity... You know how it goes.

Would Ms Christie really have gone to such lengths to throw a spotlight on her novels? Would any of us?

It's shocking how much publicity artists (pollies, businesses, celebrities, wannabes...) can drum up in a matter of minutes today, or how much scandal we can create with just 140 characters or a few strategically posed selfies (if only the Kardashians had something decent to say).
I'm taking part in an upcoming Facebook event with 40 other mystery writers from across the globe. We're answering questions, showcasing our books, and reaching a collective audience of more than 250,000 mystery readers--and all I have to do is sit at my keyboard for one measly hour.
Who needs to stage a week-long disappearance when you've got Facebook, Twitter and 24-hour news feeds? Yet of course Agatha Christie had none of that. Apart from the odd review in the local rag, very few punters even knew what the best-selling author looked like. It's no wonder she managed to hide in plain sight for so long.
Today, J.K. Rowling wouldn't get as far as the bus stop without being unmasked, filmed and splashed across YouTube.

So was Ms Christie's vanishing really just a PR stunt?

We don't know, of course we don't. Agatha never spoke of it publicly and made no mention of it in her autobiography, much to my chagrin. Sadly for the mystery boffins amongst us, Dame Christie's extraordinary mystery died with her.
Yet isn't that what makes it so extraordinary? Or, in the eyes of cynics like myself, a masterstroke of pure marketing genius?
Now, where could I disappear to I wonder...
Happy (mysterious) reading everyone!
xo Christina

*And in case you're wondering, Archie waited just long enough. The Christies were quietly divorced in 1928. The press were not invited.